Booth 940
(See Map Below)
About the Artist
I am a fiber artist living and working in Leonardtown, Maryland. My work has its soul in traditional wildlife illustrations from this region- fish, waterfowl, and occasionally the landscapes they inhabit. However, I render my subjects in detail using traditional wax and dye batik processes. The resultant combination of these pastimes results in a very contemporary aesthetic; one in which fiber arts and illustration push one another into new territory.
In terms of form, my fiber work has a very distinct surface quality, characterized by the heavy marbling created by many thick layers of wax. With this technique, I want the unpredictable nature of the marbled backgrounds to mimic the unpredictable nature of water. No, it may not be fluid dynamics. But the semi-controlled cracking of the wax results in opportunities for the fluid dyes to create unexpected outcomes. These are outcomes which I embrace.
As a fiber artist working with large pieces, I can place more emphasis on the surface quality of each piece through the creation process. I like the pieces to invite viewers in for further scrutiny. The unique simulated texture and vibrant contrasting colors combine to create a visually captivating encounter for viewers. I want that unique encounter to be one that feels familiar through the recognition of the subject matter, but also draws the viewer in with questions about what exactly they’re encountering.
In terms of content, my work is about making connections to the environment around me. Since a young age, I have had a deep interest in the biodiversity of the Chesapeake. Equally important though is an interest in its water quality and marine ecology. While an artist by background and trade, I originally planned to study marine science. I have early memories of performing pH tests on marsh water samples while my friends were off at soccer camp. Looking back, those early experiences were influential on my various connections to the water now.
Currently, I’m fascinated with the idea of using the water itself as a conceptual part of both the form and the content of each piece. As an avid outdoorsman, I will often collect small samples of water when I am out fishing or hunting the Chesapeake waterways. I then use these water samples to mix many of my dye solutions for a piece. Typically, an image of a specific species will be made using the same water from the same moment when a fish was caught.
Based in Leonardtown, MD
